William King, Annabeth Marks, Annie Pearlman, Rachel Eulena Williams, installation view at Derek Eller Gallery, New York, 2018
William King, Annabeth Marks, Annie Pearlman, Rachel Eulena Williams, installation view at Derek Eller Gallery, New York, 2018
William King, Annabeth Marks, Annie Pearlman, Rachel Eulena Williams, installation view at Derek Eller Gallery, New York, 2018
William King, Annabeth Marks, Annie Pearlman, Rachel Eulena Williams, installation view at Derek Eller Gallery, New York, 2018
William King, Annabeth Marks, Annie Pearlman, Rachel Eulena Williams, installation view at Derek Eller Gallery, New York, 2018
William King
Gain, 1986
Mylar, steel
56 x 31 x 40 inches
Annabeth Marks
Palace of Weariness III, 2017
oil and acrylic, found garment
64 x 27 inches
Annie Pearlman
Vertilted, 2018
acrylic and acrylic gouache on canvas
16 x 20 inches
signed on verso
Annie Pearlman
Corriden, 2017
acrylic and acrylic gouache on canvas
18 x 24 inches
signed on verso
Rachel Eulena Williams
Blue Infinite, 2017
acrylic, Flashe on canvas and rope
42.5 x 32.5 inches
signed on verso
William King
Before, 1982
green nylon, steel
94 x 29 x 20 inches
Rachel Eulena Williams
Red Infinite, 2017
acrylic and Flashe on canvas and rope
63.5 x 40 inches
signed on verso
Annabeth Marks
The Exterior Body: Wearing Within, 2018
oil on canvas
80 x 56 inches
signed on verso
Annabeth Marks
Palace of Weariness IV, 2017
oil and acrylic, found garment
55 x 24.5 inches
William King
Red and Black, c. 1985
vinyl and wood
73 x 37 x 17 inches
Annie Pearlman
Outer Burrow, 2016
acrylic on canvas
30 x 40 inches
signed on verso
Rachel Eulena Williams
Tan World, 2017
acrylic, Flashe and silkscreen ink on canvas and rope
54 x 44 inches
signed on verso
